This is one of the various plans and social-economic relief measures being rolled out by the theatre.
SAST’s artistic director Aubrey Sekhabi is excited to bring South African theatre online. “Since 2014, we have been experimenting with bringing theatre online and on television. This led to my presentation at the African Union in Addis Ababa where I intended to invite artists in the continent to be part of this initiative. With the lockdown, we are presented with an opportunity to experiment on this format. We are ready to launch, whilst providing relief for our artists to earn income. We also intend to solidify the online platform as an alternative or secondary platform for our artistic offering,“ he says.
Ladysmith Black Mambazo
Ladysmith Black Mambazo (KZN) is a South African male choral group singing in the local vocal styles of isicathamiya and mbube. They became known internationally after singing with Paul Simon on his 1986 album called Graceland, and have won multiple awards, including five Grammy Awards, dedicating their fifth Grammy to the late former President Nelson Mandela. Formed by the late legendary Joseph Shabalala in 1960, Ladysmith Black Mambazo became one of South Africa's most prolific recording artists, with their releases receiving gold and platinum disc honours. The group became a mobile academy of South African cultural heritage through their African indigenous isicathamiya music.
Percy Maimela (MP) who holds the Guinness World Record for producing the largest artwork using coffee granules is a 35-year-old self-taught visual artist and one of the stars to come out of the SAST’s Incubator Programme. In 2018, he was selected to be part of the State Theatre’s Incubator Programme where he was given support and training for the mainstream arts space. After he claimed the record, Maimela was invited to exhibit again at SAST’s annual Mzansi Fela Festival in 2019. After exiting the programme, Maimela continues exhibiting on some of the world’s big stages.
Amawethu tells a human story that seeks to reclaim who we are as a people from our cultures and customs and corrects the distortions that pre-date the African slave trade that led many to believe that African spirituality had a demonic, pagan, uncivilised, barbaric and godless origin. The work features dancers Tholakele Nkala, Steven Chauke, Phumlani Mndebele, Xolisile Bongwana, Julia Burnham, Kwazi Madlala, Thulisile Binda and Sibonele Mchunu.
Amawethu - © Sanmari Marais
Through its approach in dealing with the impact of the Covid-19 pandemic on the industry, the theatre found this an opportune time to launch a digital platform. This is in addition to May being designated Africa Month, which is perfectly aligned to its vision of being ‘The Theatre of Africa’.
“As we navigate the possibilities and opportunities of live recording without audiences, we cannot wait to share with you our envisioned live concerts anchored by seasoned South African artists as well as offerings from Mmapula Setlhako and Hanna Van Tonder. In the same breath, we hope to be able to cover the set works so that we partner with the learners and the Department of Basic Education to bring these to them, to mitigate the interrupted learning process.
“As we launch our digital platform to continue bringing you the very best in South African performing arts, we are eager and look forward to seeing you in our theatres again very soon,” concludes Sekhabi.
A full schedule with broadcast dates and times will be released in the coming days on the theatre’s social media networks. All content will be loaded on the South African State Theatre’s YouTube channel.